Ecological: Healing Nature

PART 3 OF THE VIRUS OF DEHUMANIZATION SERIES
press release

The parallels between the coronavirus pandemic and the dangers of climate change are undeniable: a global threat demanding a rethinking of our day to day lives with the wellbeing of our environment and fellow humans in mind. The pandemic and its subsequent quarantine have shown that we are capable of changing habits. Many have realized how simplified their way of life has become; by slowing down we have been given the chance to re-evaluate our priorities and conclude that doing things differently is not only possible but could even make us happier.

As artists, what choices are we making within these parameters? What are we giving up and what are we gaining in return? Is art influenced or impacted by shifting habits? Has our media evolved to become more sustainable?

Curated by: Tina Stipanovic, Adina Andrus, and Tim Kelly

Diana Alsip · Aria Luna · Carin Kulb Dangot · Ali Arshad · Irina Novikova · Jalal Mashhadi Fard · Daniel Fiorda · Susan Hoenig · Toby Zallman · Marta Smith · Katrina Slavik · Polat Canpolat · Marija Bojovic · Catherine Jones · Nancy Gesimondo · Will Kaplan · Silvana Smith

 

TOBY ZALLMAN Coral 1, 39” x 36” x 12”, 2019 (plastic bags on steel armature)

TOBY ZALLMAN Complicit 6 Months and Complicit 8 Months, 72” x 20” x 20”(each), 2018-2019 (discarded plastic)

 

JALAL MASHHADI FARD corona terrible, 100” x 70”, 2020 (digital print on canvas, based on Peter van Halen’s ‘The plague of the Philistines at Ashod’)

 

IRINA NOVIKOVA What carelessness leads to, 30cm x 40cm, 2020 (ink, gouache, paper)

IRINA NOVIKOVA The one that sang…, 30cm x 40cm, 2020 (ink, gouache, paper)

 

ALI ARSHAD choose love, 8’ x 6’, 2020 (site-specific installation, paper and wheat paste)

 

POLAT CANPOLAT Disagree, 55cm x 35cm x 60cm, 2020 (papermache and recycled materials)

POLAT CANPOLAT Fresh Air, 70cm x 50cm x 85cm, 2020 (papermache and recycled materials)

 

DANIEL FIORDA Typewriter series - Hybrid #2, 14” x 18” x 7”, 2020 (concrete, original typewriter)

DANIEL FIORDA Typewriter series - Hybrid #5, 12” x 17” x 7.5”, 2020 (concrete, original typewriter)

 
 

CATHERINE JONES Deconstructed, Reconstructed Landscape, No. 1, 32” x 24”, 2020 (fabric, non-recyclable film plastic, thread, zipper)

CATHERINE JONES Untitled (Landscape), 36” x 57”, 2021 (earth pigments & turmeric dye on fabric, thread, zipper)

 
 

KATRINA SLAVIK Midnight Rambler, 28” x 26” x 4”, 2020 (acrylic on repurposed clothing, paper, plastic, insulation foam, fake flowers, cardboard)

 
 

NANCY GESIMONDO Venus, 10” x 10” x 1”, 2018 (assemblage with seaweed, broken conch shell and seedpod on paper)

WILL KAPLAN White and Green (The Tree He Grew From, I Cannot Outgrow), 42” x 30”, 2020 (acrylic, collage, drawing, found object and carving on wood panel)

 
 

MARTA SMITH The Magic of Broken Heart, 48” x 36” x 6”, 2021 (wood, gypsum, acrylic paint, plastic dolls/chairs/sticks, fabric, mirrors)

MARTA SMITH The Magic of Broken Heart, 48” x 36” x 6”, 2021 (wood, gypsum, acrylic paint, plastic dolls/chairs/sticks, fabric, mirrors)

DIANA ALSIP Sewing Circle, 8” x 10”, 2021 (gelatin silver print with hand embroidery)

 
 

ARIA LUNA Bogo Mogo, 30” x 40”, 2018 (acrylic, glue, and mixed household materials on foam core)

CARIN KULB DANGOT Thank you for coming!, 8.5” x 6” x 4”, 2016 (postcards, iPad box, nail polish, gesso, acrylic paint)

 
 

SUSAN HOENIG Breathe, 18” x 24”, 2020 (black walnut ink on paper)

SILVANA SMITH Watch, 9” x 12”, 2020 (relief print, hand-dyed paper, watercolor, acrylic paint)

 
 

MARIJA BOJOVIC Solar Bench, 45cm x 60cm x 212cm, 2019 (painted steel, plexiglass)

If you are interested in purchasing work that is included in this exhibition, please reach out to the curator for availability.
Tina Stipanovic - tina@alterworkstudios.com

 

Discussion Panel

Friday, March 5, 2021 | 6-8PM ET

Joined by panelists Yvonne Shortt, Ivan Stojakovic, and Gil Lopez, this discussion will explore some of the following themes:

  • How can artists respond to the increasing urgency of climate change

  • What can artists do to push for positive change, especially at the local level

  • How can we engage the public and disrupt the environmental degradation of our communities?

  • What crucial environmental issues has the global pandemic made obvious in regards to the world we live in, and what changes do we want to see?

  • What kind of support would you like to see/get in this type of work?

YVONNE SHORTT ​creates dialogue and action with her art practice using installation, sculpture and paint. Her subjects of exploration are community, disability, race, equity, and equality. Her methodology is question-based inviting participation from the viewer and collaborations with the community. She started her art career ​by beautifying a neglected area running through the heart of her neighborhood and used daily by kids going to school. It was a LIRR and DOT owned space filled with trash, tires, rodents, and a crumbling wall. By involving the local Council Woman, DOT, LIRR, DOS, two local public schools, and 200 community residents, she transformed this area into an outdoor exhibition space which included 3000 square feet of new sidewalk, new garbage cans, and fixes to the decaying wall. She deemed it an "underpass exhibition space" to display the design and photographic work of the community, and represent what is possible through collaborative effort.

IVAN STOJAKOVIC​ explores artificial environments and the decline of wild natural habitats. The objects he creates, such as paintings, dioramas, vertical gardens, tables, or composites thereof, have an independent life, guided purely by aesthetic non-environmental goals. This contradiction between design and environmental activism is a driving force in his work. which draws from the mapping of hurricane floods, urban sprawls, habitat loss, and contemporary landscape design. While drawing from these sources, he creates fictional settings that are based on surrealist experiments forming an open-ended visual narrative about the hybrid nature of our world, and about the perversion of the human impact on the wild natural environment. These environmental narratives are not mere illustrations of environmental messages but abstract visual syntheses, which he completes through exploration of the aesthetic ideals of balance and beauty, of the fashionable, and of the strange and sublime. His work examines the complex and controversial nature of human desire as a driving force behind our consumerism and behind our environmental actions.

GIL LOPEZ​ is ​an anti-racist community organizer, urban environmental educator, socially engaged bio-artist and doer. He works in broad strokes on topics ranging from environmental justice and food sovereignty, to bike/ped issues and reskilling the populace towards subsistence and away from wage labor. He is passionate about the living soil foodweb, democracy in the workplace and collective living.